Introduction to Recording Ambisonics | 360° VR | Spatial Audio Recording | Berklee Online | Part 1/7



Download your Free Ambisonics Audio and Resource Packet:
Learn More About Berklee Online’s Master of Music in Music Production:
In this series, John Escobar, a professor in the Music Production and Engineering department for Berklee College of Music, discusses the key points in understanding ambisonics, specifically what ambisonics are, how to capture them, and what to do with them in post-production. In their simplest form, ambisonics are a full-sphere surround sound format, and a way to capture sound in three dimensions. Ambisonics have become an important complement to 360-degree video.

About John Escobar:
John Escobar is a producer, engineer, multi-instrumentalist, and educator, teaching several courses in the Music Production and Engineering department for Berklee College of Music. He has worked with a wide range of artists, including Grammy-winning folk artist Sarah Jarosz, jazz guitar virtuoso Larry Coryell, violinist Joshua Bell, and many others. He has also taught at Harvard, Boston University, University of Southern California, and Northeastern University.
About Berklee Online:
Berklee Online is the continuing education division of Berklee College of Music, delivering online access to Berklee’s acclaimed curriculum from anywhere in the world, offering online courses, certificate programs, and degree programs. Contact an Academic Advisor today:
1-866-BERKLEE (US)
1-617-747-2146 (international callers)
advisors@online.berklee.edu

Music Production | Ambisonic Sound | Ambisonics | Surround Sound | 360-Degree Sound | Microphones | Mixing | Recording | Mastering | Microphones | John Escobar | Berklee | Berklee Online | Berklee College of Music

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