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In this clip, audio guru Mark Edward Lewis from Cinema Sound shows us how to master both music and entire stereo post production audio and post audio tracks and get the “punch” and “snap and sizzle” from extracting mono and stereo channel information and processing them differently. This trick is used by nearly every mastering engineer worth their salt, and you can use it in your post audio mastering solutions to get the same kind of Hollywood-level audience impact they get.
Learn more about how to get a Hollywood $50 million impact on your audience at